Dance Studio Posters
Started By
stenrasmussen
, 02 Mar 2012 17:14
9 replies to this topic
#1
Posted 02 March 2012 - 17:14
Got some of my photos of the region's big annual Christmas dance show displayed in Stavanger's largest dance studio. Despite lack of the finest details, the five 1x1.4m large pics look ok to me. They were all shot hand held in difficult lighting with my D3 and the old two-ring 80-200/2.8. Silly of me perhaps, but I gave the studio my images for free.
Will post a pic later showing the postered wall.
Will post a pic later showing the postered wall.
Machina fotografica necesse est
#2
Posted 02 March 2012 - 22:50
Got some of my photos of the region's big annual Christmas dance show displayed in Stavanger's largest dance studio. Despite lack of the finest details, the five 1x1.4m large pics look ok to me. They were all shot hand held in difficult lighting with my D3 and the old two-ring 80-200/2.8. Silly of me perhaps, but I gave the studio my images for free. Will post a pic later showing the postered wall.
Very much look forward to them, Sten. Good weekend to you - sn
Scott Nilsson / Atlanta
http://scottnilssonphotography.com
https://www.facebook...sonPhotographer
http://scottnilsson.zenfolio.com (new site-build in progress)
"You miss 100% of the shots you don't take..." ~ Wayne Gretzky
http://scottnilssonphotography.com
https://www.facebook...sonPhotographer
http://scottnilsson.zenfolio.com (new site-build in progress)
"You miss 100% of the shots you don't take..." ~ Wayne Gretzky
#3
Posted 03 March 2012 - 14:39
Got some of my photos of the region's big annual Christmas dance show displayed in Stavanger's largest dance studio. Despite lack of the finest details, the five 1x1.4m large pics look ok to me. They were all shot hand held in difficult lighting with my D3 and the old two-ring 80-200/2.8. Silly of me perhaps, but I gave the studio my images for free.
Will post a pic later showing the postered wall.
Looking forward,
money isnt everything
Fons Baerken
#4
Posted 04 March 2012 - 20:01
Thanks fellas!
Here's an iPhone shot of one of the walls:
Here's an iPhone shot of one of the walls:
Attached Files
Machina fotografica necesse est
#5
Posted 04 March 2012 - 20:02
And here's another one:
Attached Files
Machina fotografica necesse est
#6
Posted 04 March 2012 - 21:33
Even if you gave those images to the dance studio for free, they will work good for your promotion!
#7
Posted 05 March 2012 - 11:25
I Sten, nice work... I guess you shot at 2.8: may I ask, what about exposure time and ISO?
Thanks in advance.
Thanks in advance.
Edited by Marco Lanciani, 05 March 2012 - 11:26 .
Marco
#8
Posted 05 March 2012 - 14:17
Even if you gave those images to the dance studio for free, they will work good for your promotion!
Yes, I hope so. Would be nice to get some money out of these efforts
Machina fotografica necesse est
#9
Posted 05 March 2012 - 14:20
I Sten, nice work... I guess you shot at 2.8: may I ask, what about exposure time and ISO?
Thanks in advance.
Thanks Marco!
From the top of my head I would guess I shot at ISO 4-5000 and f/3.2. It is (to me at least) notoriously difficult to nail the correct WB and hence there is quite a lot of work to get the right compromised WB set.
Machina fotografica necesse est
#10
Posted 05 March 2012 - 19:17
Nice work, Sten! Thanks for posting the images.
If if this is covered under the adage "teaching your grandmother to suck eggs" - apologies in advance, as I don't know your frame of reference on stage work: I often provide a mix of corrected WB, and as-shot (if slightly enhanced or adjusted, from de-sated or slightly de-sated to punched) - because the stage lighting is intended to create an atmospheric, emotional effect - and the skin tones are not correct. However, if you take the whole shoot to corrected WB, you are de facto correcting the impact of the lighting designer on the tone of the piece. LD's for ballet and opera, in particular, enjoy - as do the choreographers, company directors and audiences - the impact of the lighting design for a piece on the emotional flow of the piece... much as the score of a film can have an enormous impact on the emotional tone of a movie. I often mix them, allowing the actual - even if grotesquely off-kilter - lighting to play through in the final images of those on which is appears to have the most impact - versus the images which might play better with corrected WB for other purposes (where eccentric lighting is of less value, or where the potential value of a particular image for marketing purposes indicates both renderings).
Look forward to more, sir!
Cheers, from an obscenely beautiful day in Atlanta -
sn
If if this is covered under the adage "teaching your grandmother to suck eggs" - apologies in advance, as I don't know your frame of reference on stage work: I often provide a mix of corrected WB, and as-shot (if slightly enhanced or adjusted, from de-sated or slightly de-sated to punched) - because the stage lighting is intended to create an atmospheric, emotional effect - and the skin tones are not correct. However, if you take the whole shoot to corrected WB, you are de facto correcting the impact of the lighting designer on the tone of the piece. LD's for ballet and opera, in particular, enjoy - as do the choreographers, company directors and audiences - the impact of the lighting design for a piece on the emotional flow of the piece... much as the score of a film can have an enormous impact on the emotional tone of a movie. I often mix them, allowing the actual - even if grotesquely off-kilter - lighting to play through in the final images of those on which is appears to have the most impact - versus the images which might play better with corrected WB for other purposes (where eccentric lighting is of less value, or where the potential value of a particular image for marketing purposes indicates both renderings).
Look forward to more, sir!
Cheers, from an obscenely beautiful day in Atlanta -
sn
Scott Nilsson / Atlanta
http://scottnilssonphotography.com
https://www.facebook...sonPhotographer
http://scottnilsson.zenfolio.com (new site-build in progress)
"You miss 100% of the shots you don't take..." ~ Wayne Gretzky
http://scottnilssonphotography.com
https://www.facebook...sonPhotographer
http://scottnilsson.zenfolio.com (new site-build in progress)
"You miss 100% of the shots you don't take..." ~ Wayne Gretzky
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